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20121101
20121130
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in paris. one day i said to him, "can you tell me something about color?" he says, "there's one thing i can tell you -- nobody understands color." i said, "fine, that's just the way it is with me." and that was the end of that problem. around 1958, '59, somewhere around there, i started a painting. it was 18 feet by about 9 or 10 feet, and i'd never done a painting that big. and then i realized i didn't have the space to come back to see my painting. it was too close, and i couldn't seem to get far enough away to see what i'm doing. then my feeling about how i see a painting changed. i realized every time i do something, if i have to run back to take a look at it, it's impossible. i can't paint that way. ah! ah! instead of looking, i had to feel it. ah! in order to feel it, to work with it, i had to carry that feeling. well, a little more, little more, little more. it really made the biggest difference in my life as far as painting goes. pat responds to something much more beautiful, much more rhythmic. i'm really not rhythmical or beautiful. i'm just like a different something. i fall. i-i
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